These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 1006 / 1006
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Krasinski’s movie looks good, but the tale he’s telling wanders in a lot of unfinished direction and leaves you with nothing to really remember. Review
Kanell delivers a commanding performance and the writing is sound, even if the plotting is a little obvious and superficial and the psychotic break feels unearned. Review
Hamaguchi delivers some salient points on ecology while showcasing his skill with probing character purpose, motivation and the different ways they interact. Review
If you loved the original, Nightwatch: Demons Are Forever delivers bittersweet closure. But it’s an entertaining if not fantastic watch for thriller fans new to the franchise as well. Review
The Last Stop in Yuma County is a single-location film done extremely well, mining visual details in place of exposition, relying on character to enrich its slight premise, and delivering giddy tension. It’s full of fun, blood and surprises. Review
Not everything gels, and even the bulk of the film that works brilliantly will not work on everyone. Arnow’s film is an acquired taste— defiantly so. But like most good comedies, it’s saying something incredibly honest and more than a little bit sad. Review
Bartholomew shoulders what is at least 75% one-person-show and does it with enough tenderness that Mind Body Spirit never loses your attention... Review
The Fall Guy is not the most memorable way to spend two hours and 9 minutes (you will want to stick it out through the credits, BTW), but it is mindless—if overlong—fun. Review
As much as I wanted to like this movie, it’s simply a watered down Booksmart with no real stakes. Review
An intriguing premise buoyed with darkly comedic performances, plus a brisk 90 minute runtime keep Humane entertaining, but it’s hard not to feel a bit disappointed. Review
The Beast is a lush affair, gorgeous to look at and nimble in the way themes echo across eras. It’s also an elegant reminder that an unruly heart is nothing to silence. Review
But damn! That doesn’t make it any less creepy! You may find yourself shaking out your sleeves and pulling the drawstring tight around your hoodie. Review
It’s fun, though. And when it decides to finally get bloody, it may not leave a lasting impression, but it definitely makes a mess. Review
It’s an incredibly impressive effort both behind and in front of the camera. Her film is wildly imaginative but devastatingly personal at the same time. But her clear-eyed image of corporate comedy has even more bite. Review
Invader delivers a spare, nasty, memorable piece of horror in just over an hour. It will stick with you a while longer. Review
Fiona Donovan’s production design stands out, emphasizing the film’s distinctly Joe Dante vibe. Although instead of perverting some idyllic burb, Sting ravages a storybook version of the Bronx. Review
Back in 2022, Daniel Stamm’s Prey for the Devil tried to breathe a little feminism into convent horror. It wasn’t a great movie, but it was a nice try. Just two years later, a little feminism feels like a pulled punch. Review
Remembering Gene Wilder certainly does not unearth any ugliness, bares no startling truths. It’s clearly the product of a filmmaker who truly loves his subject. He doesn’t seem wrong, though. Review
Irvine and Allan nearly save the film, though. The result is a modestly entertaining mixed bag. Review
For a greenscreenapalooza of dumb monster action, Godzilla x Kong: The New Empire is adequate. Review
Unruly and fresh as the music it dances to, They Shot the Piano Player sometimes loses its train of thought. Review
Immaculate digs into the way organized religion constrains, punishes, silences, bullies, vilifies and oppresses women and then unleashes glorious fury. Fearless, cathartic, bloody, beautifully sacrilegious fury. Review
A slow boil like this requires committed, compelling performances and both Cowan and Rock deliver. Eventually the gender politics on display unnerve, and what’s what the film is more than truly scary. It’s unnerving. Review
Glass is not out to break new ground, plot wise. The story is rock solid but delivers essentially a smartly crafted hillbilly noir thriller—a la Red Rock West, Blood Simple, Killer Joe— but with few truly surprising plot turns. The execution, however, is something you’ve never witnessed. Review
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