Movie reviews of Hope Madden

Not every performance is as strong as DeLeon Hayes’s, and sometimes Story’s dialog is asked to carry too much historical significance. But there’s no denying the power he wrung from the source material. Review

If there is a drawback, it’s that Across the Spider-Verse is a cliffhanger. If you’re cool with an amazing second act in a three-story arc (The Empire Strikes Back, The Two Towers), you’ll probably be OK with it. Maybe warn your kids, but don’t let it dissuade you from taking in this animated glory on the biggest screen you can find. Review

The Attachment Diaries is a dark, bizarre mystery thriller that flirts with B-movie status in a way that somehow makes the experience richer than it had any real right to be. Review

Cinematographer Kristof Brandl’s camera evokes the mood, lonesome silhouettes, isolating crowds, awkward intimacy. Le Bon exhibits a delicate if controlled touch to her tale of young love. Review

The two make a fascinating cinematic pairing and their film slips easily into your memory to stay. Review

Hilarious cameos from Amber Tamblyn and David Cross as an angry couple in therapy help to clarify Holofcener’s themes and push the comedy value higher. But it’s with the core couples that the filmmaker delivers her finest moments, creating a lived-in world, a true microcosm that pokes fun at our insecurities and the little white lies that keep us happy. Review

Wilson’s schtick lacks some of the vibrance of the original film, partly because watching a pre-teen on a murder spree is simply more novel, shocking and funny than witnessing another angry teen on a rampage. It would have helped if the filmmakers tried a little harder to convince us Becky could do it. Review

The lonesome heartache of questioning your worth to those who should love you haunts the entire film. But B-Side: For Taylor is about resilience, forgiveness and acceptance. Review

Whatever its faults, The Lure will hook you immediately and change the way you think of mermaids. Review

Fast X. Dumb as hell. Thumbs up all around. Review

But forgiveness comes too easy for this damaged antihero, and Master Gardener feels too much like Schrader light. Review

Crater cobbles together a lot of cliched ideas but can’t find any depth to explore. Instead Alvarez delivers a superficial and forgettable road trip movie in space. Review

Party Girl is a frothy, forgettable good time, but Posey turned out to be a keeper. Review

Of course, Keaton, Bergen, Steenburgen and Fonda can act. They’re not asked to for this particular film, but we’re aware that they have the capacity. Review

Director Shekhar Kapur keeps it warm – there really are no villains here – while Jemima Khan’s script offers messy, human characters you can identify with. Review

Lowery loses his footing when he focuses on Peter, and though his adventure is truly beautiful, it feels a little unfocused and possibly unnecessary. Review

Expect a loose confection of a plot, as Elaine molds herself into the ideal sex toy, winning and then tiring of her trophies. This allows Biller to simultaneously reaffirm and reverse gender roles with appropriately wicked humor. Review

That storyline is somewhat slight, but what the film lacks in depth it makes up for with inspired visuals, solid casting, and so much blood. Review

The film is solidly built on understated performances, and it makes viable points. But it can’t quite stick the landing. Review

All told, Beau Is Afraid is a fascinating, gorgeously realized vision and I don’t think you’re going to like it. I can’t say I liked it. I admire it, am stunned by it, and kind of want to see it again. Maybe I do like it, I can’t tell. Review

Is it better than Petroni’s 2011 dumpster fire, The Rite? It is. Is it another movie that says men throughout the history of Catholicism have done evil things to the powerless around them, but the only way to correct this is to believe other men in the Catholic church? It is. But Crowe is having a blast, and it’s infectious. Review

Like Nicole Holofcener and Claire Denis, Reichardt invests her attention in the small moments rather than delivering a tidy, obvious structure. The result feels messy, like life, with lengths of anxiety and unease punctuated by small triumphs. Review

Johansen’s an onstage charmer, but more than that, he’s a vibrant ghost of New York past. Review

Come to Far East Deep South for the beautiful and surprising human drama. Stay for a chance to see America with sharper vision. Review