These are all the movies and series that Rachel has reviewed. Read more at: Maddwolf.
Number of movie reviews: 182 / 182
Years
On the whole, Sebastian is a well-written and well-acted look at how far a writer will go in pursuit of a good story. Review
Sugarcane is hard to watch. A content warning at the beginning of the film only prepares the viewer for some of the atrocities spoken of. Review
It’s an intriguing story that is as fascinating now as it was then. Review
The movie has a few weaker moments. Certain scenes are a bit too long, dragging down the film’s overall fast pace. But on the whole, Saldanha captures the spirit of the original story. Review
While there isn’t anything new to find in Man of Reason, that doesn’t make it any less thrilling to watch. Review
This is one of those films that tries hard to thrill you but sadly falls very short. Review
Dupuis’s writing is masterful. Paired with Pellerin’s stunning performance, we’re given a film that encompasses joy, devastation, and hope. Solo is a beautiful, passionate film. Review
As a whole, the movie has some hard-to-overlook faults, but the writing is good enough that it doesn’t really matter. Review
Allyn skillfully raises the tension as Ride progresses. At times, the dialogue falters as we careen toward the climax, but it’s impossible not to be drawn in to this compelling, heartbreaking story of a family struggling to survive in a ruthless world. Review
While narrative voiceovers can have a place in a movie (can even strengthen them), in this case we might have had a more relatable story if they weren’t relied on so heavily. Review
The practical fx are glorious. The storytelling is clever in that the story tells you nothing, but Nash’s thoughtful direction is enough. If you don’t like slashers, you won’t like In a Violent Nature. If you sincerely do, though, this film is not to be missed. Review
Smith’s film is an imperfect but humorous look at how one woman deals with these guy friends. Review
Franco masterfully balances each element of Adam’s story. Some of the film is heartbreaking, as Adam faces challenges that would hinder a less-determined person. But what Adam is searching for is what many of us want: happiness, security, family. Adam the First is a outstanding examination of the indomitable human will. Review
If done well, these surprises can keep audience off balance, but when done poorly, it’s another thorn in a viewer’s side. Lazareth is an island surrounded by thorns, never giving anyone a chance to learn much of anything. Review
For a first feature, Rosman has brought to the table a film that preys on some of our most innate fears, those that might be especially raw considering recent global events. Add in some truly disturbing and bloody practical effects, and we’re given a thriller that is effectively terrifying. Review
The slap-stick style comedy will definitely work for some, but comedy is one of the toughest sells. What resonates is not so much the humor but the desperation that comes with needing a job – even if you have superpowers. Review
Food, Inc. 2 raises urgent issues. It’s essential that we listen. Review
Not much really sets this movie apart except for the music, and each scene seems to drive you toward the next musical number. While it’s not entirely unappealing, it is a bit underwhelming. Review
Mad Props flounders, never quite telling its story in a cohesive, interesting way. Review
For those unfamiliar with Frida Kahlo, this is a lush and impressive introduction to her life and art. Review
The battle choreography is enjoyable, and the fights come fast and furious after the initial set up. There is intrigue, betrayal, and a woman warrior who cements it all in an absorbing character. Review
The movie isn’t perfect, but it’s touching. There is a quiet sadness that haunts Stéphane as we follow him through his memories. Review
Float boasts an endearing tenderness. Bang can carry the film’s emotional weight, her range of emotion spilling over into each scene. A mixed bag, Float at least has a unique take on the rom-com formula. Review
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