These are all the movies and series that Sandy has reviewed. Read more at: Screen Rant.
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Number of movie reviews: 326 / 326
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The Nice Guys
7
An entertainingly breezy buddy-detective romp that steadfast Shane Black fans ought to get additional mileage from.
Money Monster
5
A well-directed and well-acted dramatic thriller weighed down by heavy-handed social commentary and implausible plot beats.
Captain America: Civil War
8
A great superhero blockbuster that lays the groundwork for even bigger and better things to come in Phase 3 of the MCU.
Keanu
7
May be a glorified feature-length Key and Peele skit, but it’s also an entertaining and thematically-layered action/comedy parody.
Criminal
4
A half-baked action/thriller that fails to properly explore its sci-fi premise.
Hardcore Henry
5
Only partly successful at using the first person POV format to create a unique cinematic experience.
My Big Fat Greek Wedding 2
5
Has enough of its predecessor’s charm and sincerity to earn a passing grade.
Allegiant
4
A subpar installment in The Divergent Series that fails to justify the decision to split the final Divergent novel into two movies.
Grimsby
5
A middle of the road action/comedy where Sacha Baron Cohen’s R-Rated comedy brand offers diminishing returns.
Whiskey Tango Foxtrot
5
An uneven, but otherwise passable wartime comedy/drama anchored by Tina Fey’s performance.
London Has Fallen
4
An uninspired sequel to Olympus Has Fallen, but has some of its predecessor’s cheesy action movie throwback charm.
Gods of Egypt
3
A cheesy and visually unimpressive fantasy adventure that’s too dull to make for fun campy entertainment.
Triple 9
5
Its talented cast and inspired directorial flourishes are offset by messy storytelling choices.
The Witch
7
Effectively unpleasant and creepy, but it works better as a psychological thriller than a horror film.
How to Be Single
6
Relies heavily on rom-com tropes, but succeeds in putting a more thoughtful and funny spin on many of them.
Zoolander 2
5
Aims to be bigger and crazier than its predecessor, but amounts to a serviceable (though less memorable) comedy sequel.
The Finest Hours
5
A respectful dramatization of the real-life events that inspired it, but is too by the numbers to leave a strong impression.
Ride Along 2
4
An uninspired retread of its predecessor, but manages to reach the (low) bar set for this action/comedy franchise.
13 Hours: The Secret Soldiers of Benghazi
5
Has elements of a lean and efficient action/thriller, but is bloated and overblown thanks to Michael Bay’s directorial approach.
Carol
8
A visually rich period drama that boasts strong performances and refined direction, though some may find it easier to admire than love.
Joy
6
A decent biographical drama anchored by Jennifer Lawrence’s performance, but fails to realize its greater ambitions.
Daddy's Home
5
A formulaic Will Ferrell comedy, but enough jokes hit their mark to make it a passable one.
The Big Short
7
Has its flaws, but is one of the more unique movies based on non-fiction literature in recent memory.
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