These are all the movies and series that Don has reviewed. Read more at: Every Movie Has a Lesson.
Number of movie reviews: 695 / 695
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Daniel Craig has earned this culmination, one that challenges the film’s very title. Review
We’re stuck with the immature, cussing adolescent version that’s funny for five minutes and dismissed in the next five. Review
Simply put, Surge and its Joseph are more petrifying when you cannot assign labels or explain them away with diagnoses. That is a maddening and riveting draw to behold. Review
That’s a pie-in-the-sky stretch in real-life where consequences and risks are more difficult, but I call that a welcome, escapist hope to strive for and celebrate in a movie that can give it earnest treatment. But sure, gripe about weird age picadilloes instead. We see your callous pettiness. Review
Lingering on after the public fall, Chastain’s Tammy Faye gives her “The sun will shine again” sendoff cry of unbroken spirit, but does such absolution deserve to rise for both her and her crowd? Review
A plucked indie director, a strict critical darling heavyweight crossing the Pacific after decades to make his Hollywood debut, a raucous comedienne dialing it down, and a host of fresh faces, including a charismatic lead, came together to adapt a very non-household comic book property with all the winking wuxia love in the world. The result is a fully realized success. Review
Lurking with evil as piercing as the social commentary, there’s a summer popcorn movie being molded by these heavy and overarching messages. To pull such gravity off and still entertain is a hell of a slick punch coming from not-so-invisible phantasms. Review
The combined heroic and creative energy of this movie, and all involved in pushing it, cannot help but keep the hoots and hollers coming in a very steady, pixelated stream. Review
With brevity and profundity wholly rooted in the preciousness of life, Nine Days leaves its mark as one of the best films of 2021. Discover this unique and crushingly beautiful gem immediately. Review
Shucking the usual angst and doubt found in superhero movies, more characters than not love who they are and what they do. The very same commitment and lack of pussy-footing can readily be seen by the people making the movie. Top to bottom,The Suicide Squad gambled on love, going all-in for maximum pervasive fun. Review
Mulling over the complex totality of The Green Knight and how it portrays the 14th-century Sir Gawain and the Green Knight, the befuddling result comes down, equally so for the main character’s quest, to choices. Review
Look, Jungle Cruise knows exactly what it is, much like the brand of comedy coming from Dwayne’s skipper that’s called out by Blunt’s pragmatic presence. The jokes are corny, the hijinks aim for hilarity, and the spectacle is large. Review
Even while adapting someone else’s work instead of shoveling his own dreck, Shyamalan has not improved. He takes another electric cocktail napkin concept and hammers it into the ground, well, sand this time instead of rain-filled potholes with forced overcomplication. Once again, his overused crutch of manufacturing twists cannot cover for him anymore. Review
Joe Bell deserved to be a catapulting performance for Reid Miller. His scenes immersed in pain and persecution are difficult, yet affecting in their empathy. It’s all too much about his father, even when those around Joe in the movie let him know that very fact. Review
Long Story Short is a phenomenal showcase for Rafe Spall. Review
Sure, as the usual counterargument always goes about the “journey” mattering more, this Marvel prequel feels like a tardy reward for what could have really been something special when the time was right and the fire was hot years ago. Review
More importantly and along the same lines as the ensemble, Allyn mined a solid example of history that eschews the overused and trumpeted white savior narratives that folks like Ken Loach rightfully besmirch. Review
This is horror and feels, without a hint of torturn porn or sadistic bloodlust in sight. What a visceral combination once again! Review
Strutting through much of Cruella as the true villainess of the picture, Emma Thompson’s callously evil Baroness declares at one point that “gorgeous and vicious” is her “favorite combination” of character traits. That great line and pairing is also a fitting description for the movie and its turbulent pendulum. Review
In the Heights is one of the best musical films of this young century. The vast talent on display in front of and behind the camera is beyond extraordinary in countless ways. This will be the movie, above any action-packed franchise entry, to lift our collective spirits this summer. Review
The Water Man breathes with the acuity of seeing people over spectacle. This chased bit of folklore and impermanence, and the miles it spans, was always meant to arrive right back to family and home where parents truly see their children and vice versa. Review
Now, gallows humor can be undoubtedly blunter than a rusty hammer. However, emanating from the twinkling grace of Billy Crystal, grabbing on to life’s vibrancy feels as special as it does comical with his guiding touch. Review
Quirks aside, Henry allows himself to play off of the surrounding people he encounters with warmth to grow where, by the end, this character didn’t just have a moment. He had himself a day. You will too with The Outside Story. Review
Without itchy trigger fingers to blow everything either up or out of proportion compared to, say, the Mission: Impossible series (and definitely the Fast & Furious entries), Without Remorse maintains enough intricate fibers of a spy movie to stay both intelligent and entertaining. Review
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