These are all the movies and series that Don has reviewed. Read more at: Every Movie Has a Lesson.
Number of movie reviews: 662 / 662
Years
Despite the immense talent shining from the recording studio and the animation workshop, the traits and choices of Toy Story 4 lack being worthwhile. Review
Joker’s artistically seedy aesthetic for moral decline and unchecked depravity creates the proper cesspool for energizing the corrupt title character. Review
Its success also fueled a star’s rise (Costner), secured another’s lasting legacy (Connery), and reminded audiences just how sharply talented its steward was. Review
It takes a special kind of acting to make every bite on-camera look orgasmic while still carrying the throwaway sexual humor and scripted lines. Review
This shrewd and stellar work creates a viewing effect in Auggie that tantalizingly bounces your comfort level between intimacy and voyeurism. This moral rattler deserves attention and praise as indie gem. Review
All the sheen and shine of Ad Astra matter not without Brad Pitt’s committed lead performance. Review
This story, in movie form, fails to make one care. Anything that lingers feels extraneous at best. Review
Yes, it is wonderful Disney sought people of color for this ethic fairy tale, but the clout of their portrayals and the substance of their actions are not improvements. If you’re going to do the right thing by diversity, go all the way, not just halfway or selectively. Dare to combat stereotypes completely. Review
Knightley’s work makes Official Secrets and its restrained tightness a measure of hero respect not blatant hero worship. Straightforward was exactly the necessary bearing. Review
In seventeen simple and soulful minutes, Gunn’s female-centered story cuts to the core with calmness and intrinsic merit. To chronicle and distill a year’s worth of personal growth within this group of girls in this tidy amount of time is an extraordinary accomplishment for the writer and filmmaker. Review
The fits and spurts of how far to raise eyebrows comes out in the film’s unevenness. Luckily, the acting is steadfast and satisfying. Review
Tyler Nilson and Michael Schwartz have made an exceptional adventure that emphasizes people over spectacle. The tonal details in every narrative corner are positively winsome and carry their own uniqueness. Review
Hell no, you don’t have to be a superfan of Springsteen to enjoy Blinded by the Light, but it sure helps. Even if The Boss is not your ideal vibe, the sprightly emotions on-screen cannot help but target and trigger your own matching passionate feelings... Review
Luce is unequivocally brazen with its volatile elements of societal commentary. Review
Its laid-bare steps of empathy, led by a star-making performance from Aldis Hodge, are essential to witness and entirely worth promoting. Review
It’s extraordinary how one auspicious independent film effort became timely and relevant by happenstance. Review
The result is a trying yet damn interesting jaunt through prickly pressures and uncomfortable themes. Review
The glow and glue that makes this all work remains Richard Dreyfus. As aforementioned, the Oscar winner lifts everything and everyone he touches as if they were featherlight. Review
Following that classical starter with his chosen target of story setting, the director’s usual approach of homage becomes readily apparent. Making so many fairy tales with a fat creative license to revise whatever he wants, fancy, zeal, and style are never Quentin Tarantino’s problems. The tightness of his brand of chatty and meandering excessiveness is usually the hangup. This movie has some of the best of the former and st... Review
Like its title, Into the Ashes resides in the crackling smolder instead of the bright flames. There is plenty of heat to burn and brand from that calmer temperature of cinematic coals. Review
Heavy in that melancholic milieu, you have The Farewell. Drawing from a deeply personal story, director Lulu Wang’s sophomore feature film shines comedy into drama on a culturally unique situation of gallows humor. Review
The shininess, so to speak, is an undeniably impressive and redeeming feature to a lack of implemented originality. Review
Much appreciation is earned by Sean Fallon and Charlotte Burnett to deal with this weight in a frank, honest, and tidy fashion. Even in contracted form, the timing and pacing is excellent. Review
Extra Innings challenge suicide with a very virtuous balance of wrought drama and disarming brevity. This is can be a hard watch, but an overwhelmingly heartwarming one as well. Review
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