Dit zijn alle films en series die Don heeft gerecenseerd. Lees meer op: Every Movie Has a Lesson.
Aantal filmrecensies: 688 / 688
Opties
Thanks to Chau’s protective involvement, there’s a rock-solid, heart-crushing version of The Whale that would be just these two and no one else. They have enough painful and resurfaced history for two movies. Instead, outside factors in Hunter’s screenplay and tonal choices from Aronofsky sully the potential of those good graces becoming their own simpler, standalone core. ... Recensie
You can hold up Baz Luhrmann’s sparkle, Michael Bay’s bombast, Steven Spielberg’s precision, and Christopher Nolan’s scope, but none of them, and no one else not named, is close to making films at James Cameron’s level of science and engineering. Just when we think we’ve seen everything possible on a silver screen, he blazes new trails that open our eyes and drop our jaws. Recensie
Characters with tangible messiness about them are still pausing to think with their heart and head equally. That relatability brings about romantic possibilities in Something From Tiffany’s that spark with stronger potential connections than the short burst of superficial fireworks based on mere looks. Recensie
That escapist magic, while plenty special as we all know, is as fleeting as the permeating effect attempted in Empire of Light. The private and civil issues present in this film cannot be fixed and are not fixed by silver screen sorcery. Recensie
Once readers and viewers journey past the hot-and-bothered parts of Lady Chatterley’s Lover, they will find a story of elevated risks more difficult than high society gossip. Recensie
As if playing James Bond for a generation wasn’t iconic enough, the 54-year-old Brit has carved out another signature role we cannot get enough of that will define his career. Savoring this charm with the right cases and opposing actors to work against, he and Rian Johnson can rotate this party for decades without wearing out either of their welcomes. Recensie
In different hands, Devotion would be a Michael Bay fireworks show of grandiose noise. Director J.D. Dillard proves a story of proper hero worship can reach rousing and patriotic heights without screaming to high heaven. Once again, look no further than that perfect title and what it stands for in all its places. Recensie
The tagline on the poster of The Fabelmans commands to “capture every moment” just as the Spielberg proxy does. The more apt result would be a film lulling you into appreciation. Recensie
Like the main character, the submission of the movie itself does not put forth enough fight for earned growth. Recensie
Niceness, in any of its shades, is hard to find in The Banshee of Inisherin, but there’s something uncommonly compelling about absorbing and weathering this march to calamity. Recensie
There’s a limit reached in The Class where even the issues have their issues. Nevertheless, the effort is commendable. Recensie
Take Ticket to Paradise for what it is in the here-and-now as a welcome new addition to the resumes of two cherished audience favorites. Recensie
Till is an empowering reminder that sufficient action and change are not over. Recensie
Like its lead woman, it is reserved and far more realistic with its urban sauntering. In different and disinterested hands, the floozy-plus-dreamboat formula would be in full effect. Recensie
Farrelly’s movie softly pushes those repetitive messages that have been done better elsewhere, making The Greatest Beer Run Ever 30 years late in its relevance and topicality. Recensie
Not a single glandular release from her striking eyes seems disingenuous. In depicting one icon, Blonde may have just launched another with its lead actress. Recensie
Wilde’s bold presentation is a worthy entry into that pantheon of rug pulls and repeat viewing potential, even if it’s to measure missteps versus successes. Recensie
Some of the standout efforts include the fabulous costume work of Gersha Phillips, the enveloping cinematography of Polly Morgan, and the intricate choreography of Zoyi Lindiwe Muendane. Recensie
So much of Confess, Fletch feels like a wiser-than the norm throwback against the hefty audience quadrant that will always prefer the louder, action-ified punch of the James Bonds and Jason Bournes of the world over a journalist gumshoe. If that crowd can slow down for a smaller and smoother ride, they will find mental thrills equally clever to the pop of blockbuster stunts that fade as quickly as they explode. Recensie
True to the put-upon team of who and what they represent, Hall’s brilliance does not work without Sterling K. Brown’s electric performance of off-the-charts vanity. Recensie
The special thing is Samaritan shows how much Sylvester Stallone still offers as an actor that has nothing to do with the ripped physicality that made him famous. Recensie
Director Abi Damaris Corbin resists the temptations to pound messages and shout showy monologues. He and his screenwriting partner Kwame Kwei-Armah uphold the simple and poignant principles that were at hand with this true story and on the central figure’s mind during a fateful July day in 2017. Recensie
In this way, Beast moves very well in its 93 minutes to pounce at the prescribed times the audience finds itself eager for a spill or thrill. Recensie
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