These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1338 / 1338
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The space-bound, sci-fi/horror subgenre is rare enough that Event Horizon is still a welcome inclusion. Review
Alternating with the mild adventure are moments of brief body horror, a hint of humor, glimpses of nudity, and even intermittent flirting. Review
Isn’t a complete adventure as much as it is a small, confined exercise in horror and suspense. It’s also worth mentioning that the acting is exceptional... Review
Everything about Creed II happens like clockwork; there’s not a single moment that isn’t entirely anticipated. Review
As the film progresses, the frights become more carefully crafted and the story smarter; brief bits of gore and dead bodies still pop up, but Below is more interested in building a creepy atmosphere and a sensational sense of dread. Review
Proves to be a powerful, sobering, haunting epic of human frailty and cruelty – a staggering, unequaled masterpiece of such intrinsic traits. Review
The creativity is admirable, even if the end result is more of a joke than it should have been. Review
A competent, consistent horror anthology. Review
By the end of it all, despite a few major revelations, this middle, middle chapter reveals itself to be little more than a collection of hunts. Review
The cuteness and the spattering of witty parodies aren’t enough to overcome the slowness, the repetition, and the lack of emotional content. Review
Politics in the ‘80s doesn’t feel considerably different than today; at the very least, it’s still extremely relevant, even if the public’s reactions have changed. Review
It’s too limited in scope to be unforgettable, though its production design and set decorations are more than adequate. Review
Chan’s flair for creative tussles knows no bounds. And the falls are tremendous. Review
Thanks to some unoriginal college initiation diversions, supporting roles line up to become fodder for the insatiable unnamable, though intentional humor occasionally spoils the mood. Review
Still a lot of fun, especially when the division of good and evil are so clearly defined, allowing for unambiguous, frenzied battles of righteousness. Review
It’s more of a moderate, procedural, cautionary tale (concerning man’s negative impact on nature), or even a war movie, than a futuristic adventure. Review
It’s impossible to fully understand such an abstruse, experimental work, but the happenings on display are never dull. Review
Whether or not it’s an exercise in pointed symbolism or abstract surrealism or a manifestation of suicidal thoughts, it’s utterly mesmerizing. Review
It’s so freakish and routinely inscrutable that its imagery is alternately scary, obscene, dramatic, and hilarious. It simply doesn’t exist in any sort of analyzable reality. Review
It’s moderately amusing, but it has a difficult time justifying its own existence; it’s simply unnecessary to revisit the Seuss masterpiece yet again, especially when there’s no fresh angle from which to approach it. Review
Were it not for the odd moment of slapstick, the notions of playing god and of psychological torture and of uncontrollable rage would be genuinely terrifying. Review
It’s the kind of cautionary tale (with an astounding, if improbably hopeful, finale) that never loses its relevance. Review
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