These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.
Number of movie reviews: 2024 / 2024
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As positive aspects we have: the eccentric and well-choreographed dances, and the costume designs, which fell short to create the intended emotional impact. Review
Baumbach’s choice for black-and-white didn’t bring major benefits, in a story that lacks tension in the conventional way that we are used to see, but conveys an attractive lightness and sweetness to depict a friendship that feels real. Review
The Best Offer proves a skillful Tornatore behind the cameras but in need of a more accurate and enthralling screenwriting. Review
Feminists may find it brave, but the brainless hunt depicted in Black Rock was incapable to catch, provoke, or intimidate, becoming a total waste of time. Review
This is a powerful example of non-manipulative cinema, where every character strives to be as close as possible of an intimate reality without forcing the situations. And they do that with amazing distinctiveness. Review
With a finger pointed to social-economical issues, I can say that this is a sort of chaotic mess that works fine, capturing all the heat and colors of a city that never stops. Review
Domestic showed dispersion on its characters’ delineation, leaving me in a state of apathy most of the time. This tale of life and death is nothing but a Noah’s ark condemned to sink. Review
A direct and delicate approach was assumed, in a mildly entertaining film that despite clear in its message, seemed too distant to involve. Review
The excruciating final moments crushed my heart, though, despite the uneasiness you might feel, the idea of a calm and comfortable departure is rewarding. Review
Spring Breakers has not much to offer beyond cheap madness and a stylish presentation of the underworld of crime that rarely reached satisfactory levels. Review
The performances were determinant to catch our attention, in a film that could have been better polished in terms of screenwriting, including a less obtuse conclusion in one of the stories. Nevertheless, that fact didn’t remove its strong message, which endures in our minds after watching it. Review
From a sci-fi perspective, we cannot demand much more. I just would have made some slight adjustments on some deviations of the plot, those involving internal confrontations among the crew. Review
The acting by Roxana Blanco and Carlos Vallarino are worth mentioning, while the direction is aesthetically valuable with precise close-ups that easily bring out the weight of the circumstances. Review
This story of complicity, intimate secrets, opportunism, and forbidden desires, deserves to be seen, defying ethics and morals. Review
The competent direction and convincing performances were the positive aspects of 90 Minutes, a depressing and feeble analysis of three disturbing minds. Review
Inside is a poignant and devastating character-study, brightly directed by Demirkubuz, and performed with heart and passion by Engin Gunaydin. Review
This clerical-narcotraffic interaction achieved its purposes, not with distinctiveness but in a satisfactory way, making us realize how wounded these souls become by witnessing so much misery. Review
The chaotic Iron Man 3 is minimally amusing and doesn't add practically anything relevant to its prior sagas. Review
Although not totally unpredictable or balanced, and far from the supremacy of other times, we can still sense Gavras’ joy in denouncing the hypocrisy of capitalist domains. Review
Among pale colors and destroyed landscapes, Zaytoun gives a completely different perspective of the conflict, gathering all the conditions to affect us in a positive way, but its urge in sensitize our hearts led to a sensation of falseness. Review
Immutable in pace and mood, the film never loses significance but also does not enrapture us with intense emotions. Review
A sturdy direction and appreciable production design helped making Cantet’s seventh film a watchable-yet-non-rigorous slice of armed revolution. Review
Not so anarchic as its obnoxious main character, Martin Lund’s second feature film has exposed promising situations but not always concluded them in the most satisfying way. Review
Everybody In Our Family never discards its frantic rhythm, being filled with poignant humor and extremely entertaining situations; some of them are stupid and exaggerated, but entertaining anyway. Impeccable direction and acting, in one of the craziest movies of the year. Review
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