Movie reviews of Hope Madden

While several scenes in and of themselves stand out spectacularly, and the weaving together of the various images creates a strange and intoxicating flavor, the underlying story is just too slight and the metaphors somewhat tortured. Review

Lamb is an absolutely gorgeous, entirely unusual and expertly crafted gem of a film. You should see it. Review

The result is a mish-mash of messy, frenetic fun with a higher body count than you might expect. Review

With characters to root for, violence to spare, and a healthy acceptance of chaos, Bingo Hell is pretty fun. Review

Performances are exceptional, loose ends are welcome, but with little in the way of visual panache and lots in the way of discomfort, not everyone will stick it out. Review

It’s a lovely film. It looks great, performances are solid in a very mellow way, and the resolution feels like a long-coming hug from a buddy. It’s nice. Review

Moments of genuine emotion punctuate the film and, while welcome, they mainly serve as a reminder of what The Starling had the potential to become. Review

Lady of the Manor often plays like an extended episode of Drunk History, only maybe not quite as funny. Everybody seems to be enjoying themselves, no one is challenged by the material, and an entirely pleasant if fairly predictable and only modestly funny time is had by all, viewers included. Review

It’s bananas It doesn’t entirely work – sometimes it doesn’t work at all — but it is a bold mess that commands attention. Review

Variety, laughs, mayhem, blood spatter, romance, cheerleader pot pie—Hellarious is a tasty treat of bite sized horror. Review

It’s at least the 4th performance of Isaac’s career worthy of Oscar’s attention, which means the Academy will probably deny that recognition again. But you shouldn’t. You should go see The Card Counter. Review

Platt and her talented group do not fail to deliver on the promise of their ghost story. The issue is only that, while the execution is impeccable, the story itself is a bit tired. Review

Worse still is Fimmel’s mad genius. That make-up and fat suit don’t help. I’m sure he’s not meant to be comic relief, but it’s hard to see him any other way. Much of this is redeemed by a few intriguing scenes, but the writing fails Baird a few times too often. Zone 414 tries really hard. It often fails. But not always. Review

It’s a desolate world Corbine Jr. creates, but no less remarkable for its bleakness. A character study unlike anything else on screen this year, Wild Indian gives longtime character actors Greyeyes and Spencer the opportunity to command the screen with leading roles and they more than rise to the occasion. Review

There’s no real story here. The whole film is essentially Act 2: no catalyst, no resolution. That doesn’t make for a deeply satisfying story, but it does feel a lot like the pandemic. Review

There are flashes in Sealy’s film where she nearly punctures her rote though well-acted tale with genuine insight about misogyny. But the film is never as interested in the women harmed by Bundy’s narcissism, insecurity and psychosis as it is in those traits he bore. Review

Rymsza’s anticlimactic finale will leave many unsatisfied with his film. But for a wild combination of revulsion and beauty, Mosquito State is worth a look. Review

The Protégé is not a terrible film. At worst it’s just a waste of your time. Review

Habit plays like a film made by people who really liked David Lynch’s Wild at Heart, Tony Scott’s True Romance, and everything John Waters ever made, but had no real idea what they liked about it. The result is a mishmash of borrowed ideas, none of them interesting enough to merit the label subversive. Review

They find freshness and relevance, partly in the transparency of their thought processes. It’s often as though we’re privy to the actual construction of the film: images of Epperlein in the scene with a clapboard or boom mic, the sound of Tucker asking the subject a question. Review

Swan Song delivers a remarkable showcase for Kier’s particular and peculiar talent, but Stephens has more on his mind than a vanity project for a deserving actor. Review

Is The Suicide Squad a cinematic masterpiece? It is not. It is, however, a bloody, irreverent good time. Review

A horror film is rarely worth its weight in carnage if it can’t engender some empathy, provoke some tragedy. Thanks to Bajon and a strong ensemble around him, the film makes you feel something for an enemy you might rather just hate. Review

There’s a chilly beauty to this ambiguity. Between that and an entire ensemble of spot-on performances, you can almost forgive the specificity and resonance the film gives up in favor of this vagueness. John and the Hole is a head-scratcher and a fascinating addition to the troubled adolescent subgenre. Review