These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 923 / 923
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His film brims with the kind of beauty and type of characters reminiscent of Chloé Zhao’s work, but A Love Song is more meditative. It’s beautiful, touching and real. Review
Thavat allows an impeccable cast to take advantage of lines like that one. Her even hand behind the camera never forces drama, never wallows in suffering. Together with her team and through this story, she fights the power. Review
It is a fun flick full of surprises. Flashbacks weaken the satisfaction of piecing the mystery together, so the climax itself is not as strong as the adventure that precedes it. Still, it’s great to see Pearce making an effort in a film worthy of his time. Review
The film is an exceptionally well made, old fashioned historical epic. But as soon as you try to string together a list of similar films, you realize that there are none. This movie is the breathtaking, entertaining and wildly necessary new king of that genre. Review
Set design, shot choices and Cronenberg-level viscera demand your constant attention. But more than anything, the film is a masterpiece of imagination. Icky, glorious imagination. Review
There is a resignation that feels unearned, even contemptuous. But actions throughout are believable enough, each couple’s interactions authentic enough, and the tensions palpable enough to forgive slight lapses. Speak No Evil is a grim trip, but there is no question that it’s well made. Review
The story builds effectively enough. It’s just that nothing is ever in question. The genre tropes are more threadbare from use than LaBute’s banter-driven power game. Worse, the point rings hollow, like a disingenuous, cash-grab reversal of In the Company of Men. Review
It’s not style over substance, although the style does draw attention away from the film’s weaker elements. Instead, it’s the calling card of a filmmaker leaving his mark on genre filmmaking. Review
The whole movie’s an inside joke, but if you’re on the inside, it’s bound to draw a smile. More than that, if you’re a Kevin Smith fan, Clerks III is a sincere mash note to you. Review
What starts off as a bit of fun at commodified religion’s expense turns into a surprisingly layered and cynical investigation into the damage organized religion of any kind can have, especially on those who believe. Review
Parker’s spare use of violence ensures that it makes an impression when it does show up. The story frame works less well. Plus, I wanted real werewolves. But still, Burial is an effective piece of historical fiction. Review
A tight script wastes little time and manages to surprise even if you figure out the main mysteries early. Who Invited Them isn’t flawless, but it is an anxious bit of fun. Review
It’s not a masterpiece and it falls into some old-school storytelling traps, but Three Thousand Years of Longing offers much originality and two undeniable performances. Review
For a film trapped primarily in a single space, Breaking creates something tragically universal, but it never betrays its hard-won intimacy. Review
Firstly, he turns genre tropes on end by bringing a Black family to Africa and having their white guide be their wise mentor. Beyond that, there are not a lot of surprises, just a competent if uninspired adventure thriller in which Idris Elba fights a lion. Review
The film is no masterpiece and Fuhrman’s age does take you out of the fantasy now and again. But it is sly fun. Review
On display with unblinking eye is the casual brutality of childhood. The Innocents is a film that sneaks up on you, rattles you, and sticks around for a while after the credits roll. Review
They Look Like People possessed a deceptively loose narrative that, in fact, led inevitably to one of the tensest climaxes on record. When I Consume You feels like it’s trying to obscure its far more obvious framework. Review
Emily the Criminal delivers the realistic inverse to a Tarantino or Scorsese. There’s no glamour to the criminal life. It’s a gig. And sometimes you gotta take the gig. Review
Shave half an hour off this film and you have yourself a brisk, dizzying effort worth a trip to the cinema. Review
I’m not sure all the clues are here to help make the determination for What Josiah Saw, but even without proper closure, Grashaw paints a creepy picture. Review
You will squirm and look away long before the film’s bloody climax because watching Margaret come undone is traumatizing. Semans’s wrap-up is not as successful, but the damage his film does can’t be undone. Review
There’s a lot going on with not much really happening. It looks good, not exceptional. It’s fun and almost immediately forgettable. It does expose the diabolical side of the Guinea pig, though. Fear them! Review
Rich with symbolism that brings past to present and reinterprets it for the future, the film speaks of resilience and power. And it does it like no film you’ve seen before. Review
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