These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 1009 / 1009
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There’s nothing terribly wrong about Chicken Run: Dawn of the Nugget. But when your animation studio sets the bar so high, “nothing terribly wrong” is quite a disappointment. Review
Characteristically gorgeous, the film combines the spectacle of Spirited Away with the solemnity of The Wind Rises. Review
It’s a rare year to be gifted with multiple enjoyable holiday horrors, but 2023 already boasts Thanksgiving and It’s a Wonderful Knife. The Sacrifice Game more than merits a seat at the same table. Review
Where the Devil Roams feels expansive and open, but like anything else in the sideshow, that’s all trickery. There’s more happening in this film than they let on, which is why the final act feels simultaneously “a ha!” and “WTF?!”... Review
Equally nimble is Borgli’s writing, coloring the all-too-real horror of celebrity with running jokes about ants, zebras and the Talking Heads. None of the richness in the script is lost on Cage or a game ensemble. Review
Russo and especially Paddock mirror the performance style that suits the overall time period tone Rovit so expertly develops, and by the time their brief story reaches its conclusion, you’re reminded again just how strangely beautiful blood can be when it slaps against snow. Review
Saltburn often feels like a story you’ve seen before, told with more style and meanness. But style and meanness count for something, and this cast understands that. Review
Though that film is no masterpiece, it digs into the idea that you cannot fight the power from within. This is where Wish misses the point. It’s trying to do something radical without upsetting anybody, and that’s just not possible. Review
Leo doesn’t reach the heights of YASNITMBM, but it aims higher than the others and frequently endears. Review
Francis Lawrence returns to direct, after helming all but the 2012 original. While his previous efforts balanced flash with action, the latest installment loses footing as it travels from one grim reality to another. Review
The filmmaker, working from a script by Samy Burch and Alex Menchanik, finds wry humor in the soap opera nature of the tale. It’s a morally ambiguous, gorgeously realized character study. It’s so good to have Todd Haynes back. Review
The story itself, with its plot twists and turns, is not as clever as it pretends to be. It is wryly funny, though, and often quite sweet. Review
The shots of bison carcasses make an impression – the photography throughout is impressive, but this sickening image is particularly something. Unfortunately, Polsky’s script and cast can’t quite match the visual clarity he gives the tale. Review
Mendelsohn is masterful, as is routinely the case. He brings an unnerving calm, a low key but committed sense that his way is the right way, the only way. His quietly impatient performance matches the films slow but deepening sense of unease. Review
The trajectory is rarely in doubt and the film leaves much to mine when it comes to its premise. But whatever the weaknesses of Fingernails, Ahmed and Buckley and their thrilling rapport more than overcome. Review
The film builds no momentum, most scenes cut short in favor of an emotional flashback, a contrived family moment, or a dream sequence that can’t conjure the eeriness needed to push the film into horror territory. Review
The Wheel of Heaven throws a lot at you and not all of it hits, but Badon’s instinct for the bizarre, humorous and horrific generate a wonderfully oddball effort. Review
Departing Seniors subverts every one-dimensional high school slasher cliché to deliver a startlingly empathetic and effecting thriller. Review
The film feels very much like a Dennis Paoli film and fans of his Gordon collaborations have reason to celebrate. But Suitable Flesh doesn’t entirely deliver on its promise of mayhem. It never quite leaps off that cliff the way Paoli films usually do and for that reason feels a tad tame. Review
There’s tension and some smart moments, although Night of the Hunted is still just another horror movie made by men in which the female lead has no purpose or value until she finds her maternal instinct. Review
And yet, for a wholesome (if you’re not offended by Satan), goofy good time, Onyx the Fortuitous and the Talisman of Souls is an excellent bit of fun. Review
Mami Wata is a spectacle of water and light. Raindrops on a forehead, seashells in a braid, sea spray as day turns to night – Obasi builds an otherworldly atmosphere from moments like these. Review
There’s nothing groundbreaking about 15 Cameras, but what it does, it does well. Review
In case Rugna’s 2017 treasure Terrified didn’t solidify his place among the greats working in the genre today, When Evil Lurks demands that recognition. Review
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