Movie reviews of Hope Madden

There are about a dozen too many nightmare sequences and the end is simply nonsense, but for horror fans, it’s not a bad time. Review

By enlisting a female character to behave so erratically in service of a weak story, Pretorious seems to be intentionally pointing out the idiotic leaps in logic audiences are willing to make. Review

Does the leap from Salem to Western ghost town make sense? It does not. But for a witchtastic Western, is it fun? Edgar Allen Poe couldn’t have made it any more fun. Review

It’s a mainly competent but frequently lazy flick with gore to spare and some fun animations, but it could have been a lot more. Review

His film plays with your preconceptions but never substitutes clever gimmick for story. The result is a sly, entirely satisfying journey into love, loneliness and how little we understand each other. Review

Bechelder’s footage never glamorizes its leads. Their candor, idealism and even their missteps and shortcomings as politicians are on display, giving the film a transparency and authenticity. Review

Part Venom, part Alien and all manner of Russian, the film pulls in images and ideas that feel familiar—sometimes too familiar—but the execution maintains your interest. Review

The film is absolutely a mash note to rock’s most rebellious rag. Review

The circular logic isn’t as tight as Young may think it is, but again, Limbo provides serviceable fun. No scares and not a ton of laughs—indeed, where Young is hoping to land on the horror-comedy spectrum is a bit muddy—but thanks mainly to a game cast, Limbo is still a pretty good time. Review

Out Stealing Horses can’t quite make the current-day footage ache or resonate quite so clearly. The events adult Trond deals with feel artificial, a forced structure. But that doesn’t rob the film of its magic. Review

Though the execution lacks polish, Spinster makes up for most of that with Peretti’s cynical charm and its own quiet determination to subvert its chosen genre. Review

You Never Had It will not entertain everyone equally, but it will thrill a handful of people and you know who you are. Review

From beginning to end, the film transmits a quiet, creeping dread. Seimetz can’t entirely capitalize on the intoxicating world she’s created, but hers is a unique voice and beguiling vision. Review

Bustamante’s film is a slow boil as interested in those who’ve tacitly accepted evil as it is in those who’ve committed it. What goes unsaid weighs as heavily as what happens in front of us. Impressively, this is also the first horror film in decades to make truly effective use of a dream sequence. Review

The film is a heartbreaker that just does what it wants to do. Review

For a B-movie, The Big Ugly delivers what it needs to. Review

A ninety minute doc that contents itself with a nostalgic traipse down VHS store aisles would be fun. A doc series that contextualizes the phenomenal explosion in the popularity of horror in the Eighties, digging into sexism, feminism, foreign titles, changing music, the Reagan influence, the impact of VHS and MTV – that would be amazing. In Search of Darkness is neither. Review

The delivery is measured and creepy, and though the final act feels simultaneously tidy and nonsensical, the mysteries themselves—not to mention a trio of excellent performances—more than satisfy. Review

Maine’s script is equally insightful, funny and tender. Review

There’s enough suffering in the final reel to clarify The Rental’s genre, but that doesn’t mean it entirely works. Review

When Kelly Reichardt tells a story, she breaks your heart. She does it slowly and quietly, but it’s broken nonetheless. Review

Ghosts of War makes an effort to say something meaningful. That message is waylaid by confused second act plotting and a third act reveal that feels far more lurid and opportunistic than it does resonant or haunting. Review

It pays off, delivering a thrilling action movie that doesn’t disregard your brain. Even better, this is a movie that tugs at your emotions without the need for swelling strings or sentiment to convince you. Review

There’s not a lot of depth to this story. But James doesn’t shy away from the ugliness, guilt, anger or grief that fuel relationships tied up in this particularly painful genealogical horror. With its evocative analogy, Relic shows us what we are really afraid of, and it isn’t ghosts. Review