Movie reviews of Hope Madden

The film is far more family drama/thriller than horror, but Blumhouse could do worse than introduce its Welcome to Blumhouse program on Amazon with this solidly crafted, impressively acted film. Review

The lighthearted cynicism and dystopian dread that marks a generation rears its pessimistic but nonetheless delightful head for an end that’s an unsettling mix of optimism and desperation. Review

Grant’s film is ghoulish and tense, with a genuinely unexpected musical number. It’s a hard film to nail down, and though it plays out like a long and especially bloody sitcom, the utter lunacy of the plot feels grounded in an authentic exhaustion and insanity known only to those who work in hospitals. Review

Possessor is a meditation on identity, sometimes very obviously so, but the underlying message takes that concept and stabs you in your still-beating heart with it. Review

It is exhilarating to watch these pioneering advocates spar and support, dodge and demand, and most of all, speak up. It’s heartbreaking, too. Review

The film hits July’s sweet spot: gawky introverts struggling to find, accept and maintain human connections. The humor works as well as it does because the whimsy and eccentricity in the film is grounded in compassion rather than mockery. Review

The writing is sometimes suspect. Formula makes up for a tight structure—you know where things are headed, even if not every step in the journey makes a lot of sense. But The Paper Tigers makes up for those missteps, mainly with affability and good nature. This is a hard film to root against. Review

Kapsalis’s understatement as a director capitalizes on Skye’s still, unnerving descent. Together they deliver a climax that will haunt you. Review

Anthony Heald also makes a welcome appearance at about the halfway point, and the action takes an effective turn with him. But mainly, Alone benefits from two truly savvy performances. It just doesn’t have much to say that we haven’t already heard. Review

It is a vision, from its opening musical notes to its closing image, though, that marks a filmmaker worth discovering. Review

While horror has always been an opportunity for the collective unconscious to deal with social anxiety in a safely distant way, Spiral is less interested in creating that comforting fictional buffer. It’s as if the filmmakers want you to see the holes in their plot so you’re more able to see the nonfiction it’s based on. Review

The history is well told between effective speakers and illustrative animations, but it’s the insidious nature of voter suppression and its modern execution that is equal parts enlightening, terrifying and frustrating. Review

What they create together is harrowing, but it’s also a brilliant piece of filmmaking that needs to be seen. Review

Driven by a smart script, excellent supporting work (both Amy Rutledge and Kathleen Brady are wonderful), and an unerring lead turn, Rent-A-Pal delivers an alarming kind of origin story. Review

The way the story resolves itself is a puzzle, and not an especially satisfying one. With Entwined, Nikolakakis boasts some impressive storytelling instincts, but there’s still room for growth. Review

The fight choreography is wonderous, as are the gorgeous vistas. Review

The film—almost exclusively talking head footage of interviews with the seven refugees—remains strangely captivating throughout. Because of the music, the dance, the poetry and the candor, a deeply human and powerfully universal story emerges. Review

Immortal is essentially an anthology of short films, and in fact, the pieces do not intersect, nor do they clarify much. Instead, they offer four slices of life—well, slices of not death—and an intriguing look at what death means to us. Review

New Mutants is a film trying too hard to cash in on proven youth market formulas, but the concoction fizzles. It doesn’t really work as an angsty romance, misses the mark as a horror movie and never for a minute feels like a superhero flick. Review

This David Copperfield has its own lunatic charm to burn. Gone are the laugh out loud moments as well as the bitter aftertaste of Iannucci’s best work, but in their place is a lovely time. Review

The horror is light, the comedy raucous, the fun explosive. Get Duked! may not change you, but it will brighten your mood. Review

There’s a lonesome transience to the story, a feeling of impermanence that’s frightening, sad and just slightly freeing. Lingua Franca tells a lovely, sad story that’s very much worth hearing. Review

There are about a dozen too many nightmare sequences and the end is simply nonsense, but for horror fans, it’s not a bad time. Review

By enlisting a female character to behave so erratically in service of a weak story, Pretorious seems to be intentionally pointing out the idiotic leaps in logic audiences are willing to make. Review