Movie reviews of Ruth Maramis

The film looks regal and expensive, with top-notch production design, costumes, sound design, and score. I was in awe by its stunning cinematography by Stephane Fontaine... Review

I had a lot of fun with Saturday Night. It’s a wild, roller-coaster ride from start to finish, though the frenetic pace can be a bit tough to follow, especially for someone who’s not terribly familiar with the inner workings of the show. Review

Pugh and Garfield are the special sauce that somehow made the film a somewhat delectable concoction, despite the vanilla story all scrambled together. Review

The Outrun is one of this year’s hidden gems and a lyrical story of redemption. It’s a beautiful film inside and out, as it tells a deeply personal and moving tale that showcases the resilience of the human spirit. Review

Despite the somber themes, however, Super/Man manages to be an uplifting film. Review

The documentary is engaging throughout even for someone who never watched the Disney Channel or Nickelodeon, and the interviews were well-staged. Review

Philippe Lacôte uses practically every noir trope in his storytelling, relying on voice-over narration that feels more clichéd as the movie progresses. At least the Greek scenery makes it a pretty worthwhile watch. Review

Clooney and Pitt didn’t exactly stretch their acting muscles, pretty much just coasting on their charm. Review

While I find myself shaking my head, chuckling, rolling my eyes while watching this, I can’t get it out of my head and I find myself thinking about it afterward. Review

Casting aside, I think the weakest link here is the script, credited to Liz Hannah, John Collee, and Marion Hume. It’s undoubtedly a challenge to fit all of Lee’s incredible life into just a 2-hour movie, but a solid script should still be able to provide a pretty comprehensive look at her journey. Review

A Different Man is a peculiar, at times hilarious film that pushes back against society’s standards of beauty. Part dark-comedy, sci-fi, body horror, even romance, it’s a movie that won’t fit neatly into any one genre. Review

The Critic is mildly enjoyable but it leaves me wanting. Review

A slow-burn adrenaline-fueled thriller that dives into the deep-rooted injustices in small-town America, packed with righteous anger and nail-biting suspense. Review

Ultimately, Dr. Wang’s amazing true story shines through, even if the storytelling feels a bit safe and bland. Review

I was swept up in the beguiling world of La Chimera. The quirky characters, the raw beauty of Southern Tuscany, and most of all, the nature of grief itself which is both haunting and thought-provoking. Review

While I think The Maltese Falcon is solid, it didn’t blow me away. Review

Jokes aside, it’s a refreshingly frank celebration of female friendships navigating through life’s big changes. Review

There are so many music biopics out there, but this one is an entertaining one that transports you to the 80s and offers a potent cautionary tale about the tempting nature of fame. Review

This type of story could have easily been a corny and irritating film, but Wang’s earnest direction and wit make Didi a touching and insightful coming-of-age story. Review

The movie lacks the edge-of-your-seat thrills and pulsating intrigue needed to leave a lasting impression. Review

I’m glad I saw this one and I highly recommend anyone who’s only seen Gladstone in Flower Moon or those looking for a nuanced and multi-layered story about Native American women’s lives on the reservation. Review

It’s a typical quirky, visually arresting but unmoving work by Wes, so I feel like it doesn’t deserve the Oscar win. Review

The women in the film, particularly Glenn Close and Amy Adams, are the standouts here, while Gabriel Basso is quite convincing as Vance. Review

I quite like Danielle Macdonald, the talented Australian actress I first saw in Lady Bird and Falling For Figaro. Review