These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.
Number of movie reviews: 2013 / 2013
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At Eternity's Gate is a superfluous biopic and a tedious experience slightly elevated by Dafoe’s acting efforts. Review
Insidiously vicious, Climax requires patience, a resistant stomach, an all-embracing sense of humor to deal with the nonsense, and lots of tolerance toward its intellectual emptiness. Review
Vice informs galore as it attempts to make the humoresque narrative work in its favor. It doesn’t always succeed and the scenes lack the heebie-jeebies that make political dramas triumph. For these reasons, mixed feelings arise whenever it comes to my mind. Review
Beautifully shot and brimming with precious humane details, the film is always gentle in tone. Nothing surprising here since Koreeda is a creative storyteller that doesn’t need to make a fuss to clearly bring his point of view. Review
The story takes its time to develop and requires patience at every languid turn, but once you let yourself be enveloped by its mood, it’s all rewards. Review
Some of the film’s passages struggle with unevenness and the watching is more relaxed and fluid after the sometimes arduous task of identifying who is who. Review
Despite some accurate remarks about her native country, Szumowska couldn’t dissimulate the heavy-handedness in her processes, being less interested in giving a decent resolution to the tragedy than overtly mocking about it. Mug is uninspired and forgettable. Review
Brechner forgot to expose an important detail: the political background of the characters. Even so, it was hard to take my eyes off the screen. Review
Heller’s expeditious direction and consistent storytelling potentiate both the gravitas and the titillation of an amusing biopic. Review
Even with all its flaws, you will be moved by its humanity, but don’t be surprised if a deep feeling of solitude invades your spirit. Review
Mediocre at its best, presenting very little substance and lacking interesting character development. The songs by Radiohead’s Thom Yorke provide short moments of pleasure in a film to be quickly erased from memory. Review
Green Book is impregnated with funny moments, conveying assertive energy that occasionally resembles the classics. Regardless of the possible nonconformity with the facts, the film was put together in a way that is visually and narratively exciting... Review
Jenkins exerted the expected sensitivity for each scene, yet some of them worked better than others. Review
Bohemian Rhapsody is ostentation, offering limited musical insights and dramatic tension within a stereotyped approach. Queen’s burning music is all that's left. Review
Balancing the low-key tones that involve the story with the ever-present inner tension of the main character, Martinessi aims at Paraguayan society. Moreover, the slow developments suit the story well, which, working under the sign of authenticity, stirs up captive emotions. The Heiresses is an understated yet assured work. Review
The extraordinary performances magnify the complexity of the characters, surrounding them with empathy. Still, you will find emotional pain in every each of them. It’s outstanding how quietly the director gets close to these people. Review
Capturing the emotional subterfuges of an artist you’ve probably never heard of, the film never felt less than thoroughly lived-in by a cast that was permanently in the care of making this small work a bigger achievement. It’s a lengthy, inebriating, and casually funny experience that didn’t fall into the usual traps of biographical films. Review
Ms. Bier, whose previous directorial efforts kept toggling between competent and sloppy, fully embraces Hollywood this time with dubious quality, and that comes with a price. Following impossible, far-fetched routes, Bird Box is a lumbering and quite incongruous mess. Review
An absurdist, powerhouse folly, which feels spunky enough to honor the musical genre and comes filled with deadpan hilarity to please comedy addicts. Review
Whereas Bispuri’s direction is guileless and focused, the script, co-written with Francesca Manieri, could have been slightly adjusted, especially in its final section where the complexity of the situation spins no payoff and got me a bit frustrated. Review
This closely observed family portrait, a study of loss and trauma, comes in tones of pervasive sadness. The fully shaped characters convey innate veracity, making us plunge headfirst into their afflictions, hopes, and frustrations. Review
This efficient account charms with a breezy fluidity, also displaying decorous looks and settings that conjure up that slightly opaque glow of the 1980s. Review
Brooding in tone and sincerely acted, First Reformed succeeds on the strength of its complex theme, not only examining the hardships of faith but also alerting for the gradual decay of our planet. Review
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