These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.
Number of movie reviews: 1986 / 1986
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Pelted with tragicomic scenes, Thunder Road, an acceptably funny slice of comic drama, depicts anxious times by carrying a furious tone and bitter pathos. Review
Even if the deadpan humor doesn’t always triumph, there is some mordant social commentary expressed with a satirical posture, which sort of replaces it. Review
The resplendent soundtrack and the naturalistic performances make a significant contribution to the success of this achingly poignant meditation on passion, in its strangest forms. Review
Not perfect but does what the good horror movies do, relying on suspense and tension to deeply involve the viewer. Hence, prepare to be disturbed. Review
Despite the predictable ending and a bashful posture, there are emotions running steadily, and the hope of a happy future ultimately makes us enjoy a drama film that also serves as a showcase for King’s estimable acting capabilities. Review
While the talented director keeps the things flowing with the appropriate amount of tension, the lead actors respond with absolute brilliance. Review
The only reason to watch The Kindergarten Teacher is Ms. Gyllenhaal’s performance, whose quality makes us resist until it’s possible. Review
Has the proper mood but, regardless the different styles, couldn’t surpass the adrenaline infusion of The Raid installments, Evans’ true specialty. Review
A word of praise for the energetic performances from Washington and Driver and the awesome score by jazz trumpeter Terence Blanchard. Review
Chaganty wanted his film to look intelligently cryptic, but what he achieved was just completely muddled. Moreover, the storyline is naive, contrived, and ultimately nonsensical, all aggravated by the utterly unconvincing performances from Cho and Messing. Review
The magnificent score by Justin Hurwitz enhances the floating sensations of a different gravitational acceleration and combines in perfection with Lindus Sandgren’s detailed cinematography. Review
The script, smartly and carefully written by Burnham, carries all the sensibility to depict Millennials in a way that is simultaneously funny, unnerving, miserably heartbroken, and honest. It definitely rang true to me. Review
The film didn’t touch me in the heart, presenting more inept than satisfactory moments, both drama and music-wise. Review
The low-key temperament of the storytelling and the authenticity of the performances are strong elements of a subtle and intelligent film that captures our attention from the very first minute. Review
Even though it's all too gut-wrenching and sunless, kudos to a fast and furious Cage, who returns from the dead with an insatiable appetite for vindictiveness. Review
If the story is thoughtful and promising, then the editing needed some polishing to avoid unconsidered cuts and precipitate image transitions contrasting clumsily with the sluggish development. Review
A powerful encounter of hip-hop music - somewhat displaced and too calculated here - and the racial complications that keep saddening America and the world. Review
Its mysterious ways, bolstered with a bit of psychedelic surrealism, makes it notable. Review
This blockbuster satisfies in its purpose but doesn’t earn the title of ‘impossible to miss’. Review
The complexities do not always succeed, but, as a character study, the film poses some interesting points of view... Review
This somewhat cheesy crowd-pleaser offers a great deal of neurotic gossip addressed with annoying pomposity and superfluous multi-cultural fashion. Review
Can a brilliant ending save a film? Sure, but I strongly feel this one could have given much more if handled with a little more subtlety. Review
There is nothing new or striking here, but rather emphatically emotional, in a film about decisions that never quite convinces in terms of a hypothetical revenge. Review
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