Dit zijn alle films en series die Filipe heeft gerecenseerd. Lees meer op: Always Good Movies.
Aantal filmrecensies: 2016 / 2016
Opties
Janet Planet is a rare gem, so earnest in its approach that it resonates with a poignant, almost painful, honesty. Recensie
The Monk and the Gun offers a relaxing and deeply felt portrait of the Bhutanese people, with its educational value standing out as invaluable. Dorji’s perspective is bracing, and his film a serene experience. Recensie
There’s Still Tomorrow drives home a narrative that is both deeply engaging and impactful, successfully resonating with audiences while delivering a powerful message of women’s emancipation. Recensie
The movie denotes a bit of formula and calculation as the directors put out a play for us — so, if you’re looking to be wowed, this may not do the trick. With that said, I still believe it’s worth checking out just for its newfound parallels and poignant exploration of human emotions. Recensie
Touch might be easily overlooked, but it remains a light watch, a candid representation of a profound love. It’s a pleasant surprise for fans of the genre. Recensie
While the ridiculousness occasionally lands some laughs — thanks largely to Deadpool's irreverent charm — the movie's attempts at subversion can't mask its numerous plot incoherences. Recensie
Following conceptual simplicity, Terrestrial Verses is minimalist in its visuals but cathartic in its dialogue. Recensie
The low-key, handsomely photographed production drips with atmosphere, and we know there are competent hands behind the camera and just enough mystery to keep the audience guessing. Plaschg’s performance perfectly fits the demands of a film that resonates through its dark ambiance and creepy conclusion. Recensie
It is well-produced, acceptably performed, and features decent special effects packing in some impressive dystopian imagery. However, we’ve seen it all before. Recensie
Chung shifts from distinctive to banal with a blockbuster marred by emotionless narrative and repetitive action. The occasional powerful images are incapable of balancing the whirlwind of tediousness felt from start to finish. Recensie
Baig shoots each scene with ardent attention, projecting a strange mix of innocence and awareness. Her assured direction ensures realism, bolstered by the young actors, who hold the stage with truthfulness. Recensie
Films like Seven and The Silence of the Lambs may come to mind, but Longlegs is miles away from them in many crucial aspects, including originality. It’s all surface psychodramatics, sporadically watchable yet mostly inert. Hence, quickly forgettable. Recensie
Buckling under the weight of trying to subvert expectations, MaXXXine ends up being a muddled, trashy piece of madness whose narrative jolts rather than compels. Recensie
Tune out the hype for countless other comedies as this one is delivered with poise and understatement, most refreshing qualities in a genre that often bombards viewers with forcible and imbecilic situations. Recensie
Depicted with a certain nostalgia, this is a furiously lucid slice of American cinema, intelligently constructed and handsomely executed. Don’t hesitate to hit the road with these nervy fellas. Recensie
Babes might not be as funny as some have claimed, but focuses on how these two friends rely on each other and grow through life's blessings and adversities. It’s an entertaining film aimed at adults. Recensie
The sharp cinematography by Thomas W. Kiennast and the costume design by Tanja Hausner are assets, but the well-groomed film itself is a minor vehicle to deliver Huller's sober but firm performance. Recensie
Glass’ sophomore picture is not as masterfully visceral as Saint Maude, but the rising filmmaker reveals herself as a gifted portrayer of emotional intimacies and wrenching acts of violence. Recensie
Problemista is only partially satisfying and easy to overlook, but hope is its last word - even if it means achieving things forcibly - and some aspects addressed are so true that they stay with you. Recensie
Jude evokes the social realism of Jim Jarmusch and Jean-Luc Godard - creative in form, tenacious in the storytelling - and infuses a caustic humor that, cutting sharper than a knife, is often quite delicious. Recensie
The film, co-produced by Emma Stone, aims for the bizarre but ends up more mind-numbing and emotionally deserted than clever. Recensie
Radiating warmth and humor, the film’s main strength lies in two beautifully observed complementary performances, hitting the mark in its attempt to generate sympathy for the characters’ struggles. If the ending had been better imagined and less predictable, viewers would have an even stronger incentive to watch it. Recensie
With shades of David Cronenberg and David Lynch, the director of Nocturama and Coma gives us something special in a ferociously pleasurable film that deserves respect for its ambition. The Beast is what it wants to be: a slice of thought-provoking, nightmarish science fiction that rewards the viewer emotionally and visually. Recensie
The ensemble cast is solid, hitting the right emotional notes and building credibility with scenes that are Holland’s earnest attempts to bring to the world a harrowing chapter of her country’s history. Recensie
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