These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 970 / 970
Years
85 minutes of not too much—not much point, very little action, not a lot of scares and even fewer answers. Review
But that is the primary problem with Green Book. It sympathizes greatly, but has absolutely no idea how to empathize. Review
The score feels cribbed, the action is video-game superficial and the costuming came directly from Forever 21. Why did they make this movie again? Review
There are double crosses, flying bullets, car chases, explosions—genre prerequisites that feel like new toys for the super-serious director. McQueen proves a versatile a filmmaker, though he has certainly left his own distinctive mark on the action flick. Review
Characters are quirky, wardrobe is glorious, Ezra Miller broods well—all of which is a lot of what we’ve already seen. What Grindewald doesn’t offer is anything new, or any reason to care. Review
A film quite unlike anything else, one offering layer upon provocative, messy layer and Abbasi feels no compulsion to tidy up. Instead, he leaves you with a lot to think through thanks to one unyieldingly original film. Review
A satisfying Good V Evil film that benefits from layers, Overlord reminds us repeatedly that it is possible to retain your humanity, even in the face of inhuman evil. Plus, Nazi zombies, which is never not awesome! Review
The story of Lee Israel offers a weirdly optimistic if cautionary tale for misfit women. It’s also a great reminder that Melissa McCarthy can really act. Review
As well and as wildly as the movie-making satire plays, at the heart of this film is humiliation on exhibition. Hero worship is hollow, commerce is still king and a man who can’t pay can’t play. Review
There are lovely moments peppered through this visually elegant picture, but there is no passion, no danger and no excitement. Review
It’s a performance simultaneously full of life and of death. You see the enormous loss, but more than that, the deflating ugliness of this world etched on Everett’s face, echoing in his every gesture. Review
Occasionally skirts mawkishness, but what YA film doesn’t? In truth, Lange doesn’t run from the baggage associated with his chosen genres. He embraces it, forgives it, makes something powerful out of it. Review
Director Donovan Marsh’s film is not unwatchable. It’s shallowly packaged derivative entertainment, boasting passable water scenes and hand-to-hand action choreography that’s entirely adequate. Review
The result is a respectful, fun and creepy experience meant to be shared with a crowd. Review
Equally on-target is the tension about sharing holidays with politically opposed loved ones, as well as the image of our irrevocably altered news consumption. But beyond that, The Oath doesn’t offer a lot of insight. Review
The two actors again share a natural rapport that makes you a believer. Review
The jarring quiet, the stillness and vastness are captured with reverence and filmed beautifully. Review
Not a bad movie. It’s fun, competently made entertainment. And a disappointment. Review
While a couple of the attractions are fun, the main problem with Hell Fest is that it is not scary. Review
Those are small successes in a film that squanders a lot of talent and all of our time. Review
All of it’s empty, of course: lurid and stylish, pseudo-feminist and pretend-woke. Review
There is utterly forgettable fun here, mainly thanks to Black and Blanchett, but the intended audience is a little tough to gauge. Review
A fresh and believable take on a very old, oft-told story, so that counts for something. Review
There’s a lot of coasting going on in The Predator. A lot of boxes being checked—sometimes checked with flair, but they’re still the same old boxes. Review
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