These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 970 / 970
Years
As genuinely if superficially enjoyable as The Greatest Showman is, there is something unseemly in embracing so tidy a view. Review
There are passably enjoyable moments. The rest of it is mainly insufferable: catty, meandering and needless. Review
It lacks the gut-punch or cinematic mastery of Nolan’s film, but it does boast one hell of a performance. Review
It looks good, bears a social conscience and remains more or less true to the simple “be who you are” core... Review
A beautiful ode to outsiders, love and doing what you must. Review
Strikes a sweet balance between embarrassment and affection that the film maintains throughout... Review
Offers an unsettling vision of self-discovery that’s simultaneously familiar and unique. Review
A gripping film that lacks substance, a well-told reiteration on the same theme. Review
It’s a movie that refuses to stay with you. The final image is provocative, but even that won’t help you remember I Remember You. Review
An alarmingly natural, more alarmingly believable portrait of a psychopath. Review
Gerwig offers genuine insight rather than nostalgia or, worse yet, lessons to be learned. Review
Little more than an id explosion in service of workplace fantasy. Review
It’s an Agatha Christie story. At its best, campy, stagey fun. At its worst, stale. Review
Halley keeps the ugliness of the world away with her own whimsy, and Vinaite’s onscreen chemistry with Prince is authentic and full of tenderness. Review
The result is a gorgeous, bloody mess that treads familiar ground but never wears out its welcome. Review
It’s a shame Woody and LBJ couldn’t have taken their excellent collaboration to a better production. Review
As was true with The Lobster, Farrell comfortably shoulders lead responsibilities in Lanthimos’s weird world. Review
Lifts self-parody to goofy heights, and maybe that’s OK. There’s no question the film entertains. Review
Hall’s storytelling can’t rise above cliché, but he manages to tell his painfully heartfelt tale without cloying manipulation or judgment. Review
The details are priceless, the performances impress and the whole thing is a hoot. Review
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