Movie reviews of Hope Madden

The film clips she chooses are often spot on, sometimes head-scratchers. But more troubling is an over-reliance on her own footage. The arguments she raises are necessary, though. Review

Le Gallo’s first feature delivers grace and goodwill in ways that are genuinely uncommon. It doesn’t tell a big story, but the story it tells resonates. Yes, he lucked into a dream cast, but they may have been luckier still to have him. Review

My Father’s Dragon represents a new direction for the animation studio. While it’s not the unassailable success of their previous films, it’s a joyous, beautiful film. Review

Though the loose narrative may frustrate some, as a work of remembrance, Wells’ first feature film delivers something powerful and powerfully impressive. Review

Mandrake never falls back on one-dimensionality. Characters are messy. They do the wrong thing, then the right thing, behave monstrously and also with kindness. Review

Both sound design and practical FX complete that picture. Yes, the ideas and even some images are pulled from other films, but the final concoction is utterly Anwar. Review

The Banshees of Inisherin mines a kind of pain uncommon on a big screen. In Martin McDonaugh fashion, the mining is done with wit, insight, humanity and absolutely world-class acting. It must not be missed. Review

Prey for the Devil suffers from lack of imagination. If you’ve seen one crab walk you’ve seen them all, and Stamm doesn’t deliver a single unique moment of horror in 93 minutes. Review

It loses momentum more than once, mainly because of its fragmented structure, but it also consistently surprises and never loses its way. Review

As with every V/H/S installment – and most short film anthologies, generally – the film hits and misses. None of the segments will stay with you the way Okuno’s Storm Drain from ’94 did. Hail Ratma! Still, it’s a quick, fun Halloween diversion. Review

Alas, turns out this was just a ludicrous highlight in an otherwise unremarkable rehash of superior films. Review

Rosaline recognizes this and makes light entertainment of it all. Dever is more than strong enough to carry the comedy. Her heroine offers stubbornly wrong-headed reasons for resilience and it’s hard to root against her. There’s nothing profound here, but it’s a breezy bit of fun. Review

Lange’s film boasts no real scares, not a single surprise, little dread. It’s a bland if attractive facsimile of other films we’re already kind of tired of. Review

It is nice to be reminded, however artfully, of the legacy of witchcraft: the powerful tormenting and in many cases torching the powerless. Colbert shows us how lovely revenge can look when those women have a little power. Review

There are some inventive kills, gore aplenty, and loads of reminders of why Argento has developed such a boisterous following. This is by no means his best film, but it’s by no means his worst, either. Review

Piggy is a tough watch, there’s no doubt. It’s also a ferocious and stunning piece of horror cinema. Review

Buried in this heady mystery is a thread about justice in the face of self-interest and the surprising joy of ping pong. It’s an engrossing feature debut from a director who knows how to play you. Review

Midler, Najimy and Parker reinhabit the old trio well enough to remind us why so many kids loved the original. Whether HP2 can strike the same chord with today’s youth is tough to tell, but at least there’s a Halloween flick everyone can watch together. Review

The horror does well enough for nearly long enough. A couple of times it’s effective, but it never rises to true scares. Worse still, the payoff doesn’t land. Review

Don’t get too comfortable because soon enough Amirpour’s aesthetic weaves together influences and notions from a broad and colorful menu. The next thing you know, you’re witnessing a side of Kate Hudson you wish more filmmakers had unveiled. Review

The filmmakers tease the new terrain of a world populated with virtual personalities. Who’s the good guy? Who isn’t? Is anybody? Sissy doesn’t break new ground here, but thanks to a knowing script and a lead performance that sells itself, you’ll enjoy the show. Review

His film brims with the kind of beauty and type of characters reminiscent of Chloé Zhao’s work, but A Love Song is more meditative. It’s beautiful, touching and real. Review

Thavat allows an impeccable cast to take advantage of lines like that one. Her even hand behind the camera never forces drama, never wallows in suffering. Together with her team and through this story, she fights the power. Review

It is a fun flick full of surprises. Flashbacks weaken the satisfaction of piecing the mystery together, so the climax itself is not as strong as the adventure that precedes it. Still, it’s great to see Pearce making an effort in a film worthy of his time. Review