Movie reviews of George Wolf

Bruckner fuels the standard what’s real/what’s-in-her-head questions with some nifty camera tricks that make the house come eerily alive with forced perspectives and Dali-esque illusions. Review

Tommy keeps the grandness on the stage and in the studio, opting for an understated tone to the human drama that – one or two hiccups aside – gives it depth. Review

There aren’t many verses in CODA‘s coming-of-age composition that we haven’t heard before. But these hits benefit from an endlessly heartfelt new arrangement, leaving a setlist that’s familiar, but well worth cueing up again. Review

Just when Annette is clear about its musings on the relationship between artist and audience, or about fame, or self-loathing, or fragile masculinity or creative boundaries, it goes all Cop Rock on us. But man, it’s transfixing to look at, and the Driver/Cotillard pairing is just as powerful as you’d expect. Just don’t expect anything else from Annette, and what you find won’t soon be forgotten. Review

Yes, Nine Days often has a lilting air of pretension, but with such a philosophical anchor, it would be more surprising if it did not. Give Oda credit for being unafraid of the moment. He’s taking some big swings at mighty heavy concepts here, with an originality of voice and attention to craft that is welcome any day. Review

But even at its most formulaic, there’s enough humor, heart and genuine movie star appeal here to make Jungle Cruise an excursion full of rollicking good fun. Review

This is Black history coming thrillingly, vibrantly alive, through the life of an enigmatic man earning that exclamation point. Review

Ride the Eagle is a casual, come as you are and wherever you are affair, like some comfort food two guys thought was worth another serving during a worldwide crisis. Review

That’s rarefied and ambitious air that Switchgrass can’t live in, though it does carve out a few respectably tense manhunt moments. Fox and Hirsch rise above some heavy-handed dialogue – even Bruno seems halfway interested while he’s around – and Haas is effectively creepy. Review

If you lean toward tidy endings wrapped in unmistakable red bows, you’ll find none of those in Settlers. You will find an engrossing tale careful to leave plenty of opportunities for filling in the blank spaces. Review

If you’re going back to the well of Bloody Mary and Candyman, the water gets finer via each original filter. Kandisha adds a fresh cultural and female-specific lens to a bloody, take-no-prisoners approach that does much to overcome the tale’s familiar building blocks. Review

Credit Estrada’s balanced vision and his wonderful cast of artists for making sure that stopping, looking, and listening to Summertime is a thoroughly rewarding thing to do. Review

Zemen’s approach may be far from stylish, but it is earnest, ambitious and respectful, which seems fitting for a story anchored in a love of science and nature. Review

The trio of actors reveals their characters’ true motivations at a languid pace that keeps us guessing, right up to the gorgeous closing shot that will leave you looking twice. Maybe three times. Review

And while the defiant cries of revolution and equality pulsate through Summer of Soul, they never eclipse the festival’s unbridled joy... Review

Baldwin’s buttery sarcasm is again perfect for the little bossman, while Sedaris and Goldblum bring some zany Sedaris and Goldblum (both always welcome) to the voice ensemble. Review

Bravo, Paige and Keough (with solid support from Coleman Domingo, Nick Braun and Jason Mitchell) each brings indelible talent to Zola, and the sheer buzz of this wild ride becomes irresistible. Review

There’s so much nostalgia, you’d think they were actually trying to put a bow on this whole thing if the film wasn’t simultaneously inventing new threads. And as the running time keeps running, it all starts to feel pretty tedious. Review

With the hushed tones of the folk song that inspired its title, An Unquiet Grave reminds us that peace is a necessity for both the living and the dead. Review

This is not just an entertaining Hollywood story, it’s an inspiring American story and a hopeful human story. It’s just a damn good story, from someone worthy of celebrating while she’s still here. Review

The Hitman’s Wife’s Bodyguard isn’t high art, but it isn’t trying to be. In the words of Bret Michaels and Sam Jackson: it ain’t nothin’ but a good time, motherf^*%$#. Review

It’s a wonderful juxtaposition that brings the film full circle, giving us both a warm and often moving look back with a fragile genius and an illuminating glimpse of the maestro in his element. Review

And while they may be fighting against gentrification and bigotry, the film’s heart remains unquestionably hopeful, so downright wholesome that even the lack of sweat-stained bodies in the 100-degree heat feels like part of the movie magic. Review

Often hamstrung by preachy and obvious dialog, the the cast does very little to elevate it. Review