Movie reviews of The Massie Twins

Reds attains an epic feel, though its setting and premise and political views are never as striking (or as prominently defined) as the romance. Review

The overemphasized expressions, sudden outbursts, noirish narration, high-contrast lighting, neon glows, radiant makeup and costuming, and practically impromptu, terribly lavish numbers become more and more absorbing. Review

The back-and-forth battles, primarily conducted by Rolfe and chief prosecutor Colonel Tad Lawson, are absolutely gripping. Review

Plenty of time is allotted for meaningful character development and potent interactions, as well as a stirring build-up to the conclusion, full of rousing speeches and preparations for a climactic attack and siege – but it’s evident that the pacing is off. Review

Historically and stereotypically, the sex and drugs take a toll on the brain. Either way, the hilariousness here is unending. Review

It’s a surprisingly deft combination of romance, twisty comedic scenarios, and hilarious dialogue. Review

Narrated like a fairy tale, Sabrina is very much a take on Cinderella, but updated with realistic relationships and a dearth of whimsical magic... Review

As funny as the picture is, with characters cracking jokes and devising clever insults, it’s also exceptionally sweet. The love story may not be the most original, but it’s genuine and heartfelt, nicely complemented by Burt Bacharach’s music... Review

There’s still modest, consistent entertainment to be had with the adventure and romance leading up to the close. Review

This small but memorable comedy proves immensely satisfying – closing with one of the most perfect song selections for the coda. Review

Hopkins brings the sincerity while Banderas provides levity in a partnership that smartly divides the tasks of ingratiation, sowing discord, plotting revenge, and wooing the damsel in distress. Review

The acting is exceptional, allowing the loosely connected storylines to garner greater gravity. Review

There are chuckles to be found, though they’re not nearly as memorable as Monroe’s costume changes or the iconic sequence in which she stands over subway vents in a white gown. Review

The Midnight Sky could have been a cautionary tale about mankind destroying Earth, or even just a visual spectacle to take in the wonders of an alien planet or a tranquil spacewalk, but instead it’s a meandering, ineffectively existential, terrible bore. Review

It’s all hopelessly, preposterously unbelievable. Review

Car chases, shootouts, and various stunts are orchestrated with sincerity and severity. And using excellent actors, even in smaller roles lends a certain gravity to what could have been akin to a flimsy, forgettable episode of Star Trek. Review

Based on a DC Comics property, this adaptation suffers from a lack of seriousness and a lack of severity. Review

The film might not be Disney’s most impressive work, but it’s still expertly designed, quite satisfying, and highly memorable for its key romantic sequences. Review

It’s a very convincing love story, even when it follows formulaic patterns. Review

The occasional sequences of frightening realism are quickly washed out by monster movie excessiveness, but it’s undeniably engaging; the tension is incredible. Review

None of it makes for a particularly notable production, however, which is this film’s biggest downfall; it just doesn’t leave much of an impression. Review

The longer Cassie is onscreen, the more fascinating her character gets, even if her authenticity correspondingly wanes. Review

Its failure to tell anything close to a complete story does succeed in encouraging viewers to re-watch Citizen Kane. Review

Soul is never quite as funny, heartfelt, or moving as the pictures that preceded it, disappointingly leaving major points of satisfaction curiously unresolved or unexplored. Review