These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1190 / 1190
Years
It makes little difference, since the revelations are entirely predictable and the assemblage of villains serve only as fodder for ruthless slaughtering. Review
The plot has countless holes and jumps in sensible progression – something that could have been avoided... Review
It’s all terribly silly, but Dwayne Johnson has a knack for never taking any of it too seriously, which allows viewers to enjoy the outright inanity... Review
It falls short of the innovative fights and size-changing obstacles that were so visually dazzling just a few years ag. Review
This latest endeavor suggests that a never-ending series of monotonous, formulaic, CG-heavy blockbusters will be all that this property has in store for the future. Review
It’s an off-the-wall fable full of riddles and metaphors and even a hint of playful romance. Review
The zombie shenanigans carry on too long and reveal some unfortunate repetition, but the main idea is thoroughly entertaining. Review
The pacing could have been tighter, but the structuring is smart and the ending is spot on... Review
Still, there’s action, suspense, shootouts, and Cagney again revisiting his wholly convincing gangster persona... Review
Spontaneous slapstick gives the picture an action movie sensibility, yet it tends to take the dedication to the game much too far, too often. Review
They’re largely stuck in the same routines as before, engaging in overly familiar plights and rescues, peppered with comic malfunctions. Review
The picture is funny, emotional, and memorable, all without the use of words; the visuals speak volumes and are universal. Review
Quick, intelligent, masterfully acted, unpredictable, and complete with a powerful, poetic conclusion, The Defiant Ones is truly a timeless classic. Review
There’s also an emptiness to the action; the characters are unsympathetic and uninteresting, largely due to generic dialogue, while the monster is uninspired and unstimulating. Review
The storytelling is exceptionally weak, though it’s obvious that the majority of the film exists solely to show off Clery’s perpetually nude figure. Review
A superbly-acted yet tragically small picture. Review
It’s not based around intellectual thrills, but it’s nevertheless effective as a schlocky bit of sci-fi/horror fun. Review
Worst of all, however, is the predictability of the whole ordeal; if there’s one thing a heist movie shouldn’t be, it’s predictable. Review
Details his career with enough care that viewers won’t have to depend solely on nostalgia to appreciate the history of this life-affirming character. Review
Unfortunately, despite the pervasive suspense and the uniqueness of the bloodshed, the script’s insistence on withholding clues prevents a deeper involvement with the plot. Review
It’s a fascinating, entirely unique look at a female psychopath. Review
A fusion of mythology, fairy tales (particularly Grimms’), history, and legends, wherein rationality is the root of all evil and make-believe reigns supreme. Review
The film resembles a bad episode of The X-Files or Star Trek. Review
It’s just a collection of action sequences involving reimagined versions of the most famous space opera’s enduring heroes. Review
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