Movie reviews of Garry Arnot

These are all the movies and series that Garry has reviewed. Read more at: Cinema Perspective.

Number of movie reviews: 249 / 249

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At the beating heart of the piece is an emotionally charged central turn from Arcelia Ramirez. The social-realist style and sensitivity of the skilful director helps to draw out a very natural, moving performance, elevating La Civil from the expectations of the premise. Review

8.0

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2022-03-10

2022

At the dark heart of it all is, of course, Robert Pattinson, who consistently makes interesting choices in the parts he takes on. He’s perfect for Matt Reeves’ emotionally twisted, brooding incarnation of The Batman, or simply ‘vengeance’ as he identifies himself as to his hapless victims. If the writing improves for the chapters that will undoubtedly follow, it may well become his greatest role to date. Review

6.0

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2022-03-09

2022

Disappointingly flat but certainly not without its merits, Nanni Moretti’s Three Floors is a mixed bag of misery-porn. Review

5.0

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2022-03-08

2022

Let True Things wash over you but take another shower immediately afterwards; it’s a deeply unpleasant but completely intoxicating experience that masterfully captures the ugly insecurities and uncertainties of a toxic love affair. Review

8.0

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2022-02-26

2022

While the script’s wry sense of humour might not always stick the landing with international audiences, the material is elevated by Donutil’s dedicated and vital performance as the no-nonsense protagonist. Review

6.0

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2022-02-26

2022

The execution of its themes may be a little on the nose, but Ross McCall introduces himself as a visually inventive director with a flair for presenting vicious brutality. Review

7.0

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2022-01-30

2022

Proving that he can be just as impactful as a director as he is an on-screen presence, Flag Day is a compelling father-daughter drama from Sean Penn. Leaning into his own experience, he injects genuine emotion into this rugged adaptation’s pivotal relationship. Review

8.0

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2022-01-19

2022

More of a big screen art-installation than a movie, Apichatpong Weerasethakul’s Memoria is a challenging, bamboozling experience but when immersed in its oddities, it can also be thought-provoking and bizarrely rewarding. Review

6.0

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2022-01-17

2022

A sweet and sweaty tribute to aimless adolescence, Paul Thomas Anderson’s Licorice Pizza serves up a satisfying slice of 70s nostalgia and introduces two future stars of cinema to our screens. Review

8.0

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2022-01-05

2022

Affectionately crafted and beautifully portrayed by its formidable cast, Belfast brilliantly illustrates the closeness of community, then proceeds to show how quickly it can be ravaged by terrible conflict. However, by telling the troublesome tale through the bright eyes of an imaginative child, it’s a poignant, comical reflection of Branagh’s boyhood. Review

8.0

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2022-01-02

2022

C’mon C’mon marks another kind-hearted hit from Mike Mills, his affectionate writing and direction providing a platform that showcases the acting talents of Phoenix and Norman. This effort has a little less to say for itself than his previous films, but it’s a pleasant experience to eavesdrop on its conversations. Review

6.0

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2021-12-30

2021

King Richard is a bloated spectacle of self-righteousness made tolerable only by a handful of well measured performances. Review

4.0

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2021-11-30

2021

Paul Schrader doubles down on his career-defining themes of moral responsibility with The Card Counter, dealing us an intense and absorbing exploration of fear and self-loathing through the lens of a brilliant, no-limits gambling film. Review

8.0

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2021-11-08

2021

A cinematic spectacle of grandiose sound and scale, director Denis Villeneuve delivers a thought-provoking, immersive experience that slowly but assertively sets the scene for the next chapter of the adventure. Review

8.0

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2021-10-28

2021

As films set on muddy country retreats go, Pablo Larraín’s Spencer has more in common with The Shining than The Princess Bride and it’s all the better for it. Suspenseful, experimental, and a hell of a lot funnier than you might expect, it’s a nightmarish vision of a fairytale gone horribly awry. Review

8.0

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2021-10-18

2021

A viscerally intense vision of frenetic anxiety with a top-of-his-game Stephen Graham at the forefront of the turmoil, Philip Barantini’s Boiling Point is a compelling one-shot wonder. Review

8.0

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2021-10-11

2021

Bold and unapologetic in its ridiculousness, Cop Secret is an entertaining sign of what might be still to come from first-timer Hannes Þór Halldórsson. As a goalkeeper, he made headlines by saving a penalty from Lionel Messi at the World Cup in 2018 and with a flair for capturing action, he’s proving to be a safe pair of hands as a film director too. Review

6.0

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2021-10-07

2021

Fukunaga’s No Time to Die brings Daniel Craig’s mixed bag of an era to a close in disappointingly lacklustre fashion, buckling under the weight of its own anticipation. We’ve been expecting you Mr Bond, but we expected a lot better than this. Review

4.0

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2021-10-05

2021

The Green Knight marks another outlandish outing for the David Lowery, who continues to flex the muscles of his artistic mind in the most creative and thought-provoking ways. This foray into folklore won’t be to everyone’s taste, but it’s encouraging to see another ambitious piece from one of most fascinating filmmakers around. Review

6.0

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2021-10-03

2021

Screenwriter David Chase proves to be a master string-puller on the big screen as well as the small, and with an epic new vision stylishly brought to fruition by director Alan Taylor, The Many Saints of Newark serves as a hugely satisfying side dish to the veritable feast that is The Sopranos. Review

8.0

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2021-09-24

2021

Yngvild Sve Flikke’s Ninjababy is an inventive and entertaining indie gem packed with humour and pathos, heightened by Thorp’s refreshingly candid portrayal of a young woman who simply doesn’t want to be a mother. Review

8.0

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2021-09-18

2021

Clashing with the cutthroat nature of the power-hungry Rory O’Hara, this sublime picture proves that patience is a virtue as Sean Durkin’s work is well worth the wait. A thrillingly dramatic depiction of 80s entrepreneurialism with two of the best performances you’ll see all year, The Nest is the real deal. Review

10

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2021-08-24

2021

Annette feels like a feature-length SNL skit where only the performers themselves are in on the joke. It’s an abysmally boring, ridiculous, slog of a film and if Leos Carax’s work is indeed the marmite of cinema, I really wish I hadn’t opened the jar. Review

2.0

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2021-08-23

2021

Furthering Bruckner’s reputation as one of the best contemporary horror directors in the business, The Night House is a stylish and suspenseful piece, elevated by Rebecca Hall’s excellent performance. Review

8.0

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2021-08-20

2021

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